This enabled them to collect assets and designs directly from the art department or the model team, which would go directly to the previs and publishing system so they could start blocking shots with Kosinski. The first priority was to recruited previs specialists for the creation of a new in-house previs department, led by Scott Meadows, who supervised previs & layout. As far as the stereo aspect, both Joe and I had never done a stereo movie before and we did our homework and just had to plan out as best we could and we looked at it in bite-size chunks, and we wanted to make sure that all the previs was in 3-D, so we could literally cut the movie together and watch it." A large part, of course, happening virtually here and through our five outsourced partners and our other company in Vancouver. And DD a partner to help bring the production to life.
"To me, I feel like I a creative partner from the very beginning with Joe. What was the experience like? "Very daunting," admits Eric Barba, DD's visual effects supervisor, who oversaw the production, taking full advantage of his design background as well as his extensive vfx experience. Indeed, out of a total of 1,565 vfx shots, 882 were done by DD (723 in Venice and 159 in Vancouver). X, Whiskeytree, Ollin Studio, Prana Studios and Prime Focus. In addition to creating thousands of digital assets that comprise the dark, neon world of the Joe Kosinski-directed sequel, DD had to design a tracking system for handling the stereoscopic 3-D shoot, improve their workflow, management system and pipeline, raise their game for performance capturing Jeff Bridges as the younger Clu 2.0 avatar, seamlessly integrate a new satellite DD studio in Vancouver and coordinate all of the work from the five vendor partners: Mr. Check out Tron: Legacy trailers and clips at AWNtv!ĭisney's Tron: Legacy might not be a game changer like Avatar, but it's a groundbreaker for Digital Domain.
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